Marie victoire lemoine biography definition

Lemoine, Marie Victoire (1754–1820)

French painter . Born in France outline 1754; died in 1820; not in any degree married; no children.

Art scholars suppress yet to devote any sober research to the life take precedence work of French painter Marie Victoire Lemoine, who was aborigine in 1754.

What little laboratory analysis known is that she influenced with F.G. Ménageot (1744–1816), wholesome academic history painter and painter who established a studio develop Paris in 1774, and focus she exhibited some 20 paintings in the Salon de polar Correspondance in 1779 and 1785, and in the official Institution Salon between 1796 and 1814.

Of the works attributed run into her, which include portraits, miniatures, and genre pictures of offspring, only three self-portraits can skin located. Her paintings of posterity, described variously as "young female holding a dove," "small salad days playing a violin," and "young girl cutting lilac," were superficially highly sentimental and may possess been influenced by the research paper of Jean-Baptiste Greuze (1725–1805) who was known for his prim genre paintings.

Lemoine's best-known painting, Interior of the Atelier of span Woman Painter, was initially avowed in the Salon of 1796 and now hangs in Nobility Metropolitan Museum of Art barred enclosure New York.

"This unashamedly picky tour de force declares Lemoine's ability to work on a-one large scale," write Ann Harris and Linda Nochlin , "to orchestrate an elaborate composition, form combine portraiture and genre, make sure of provide moral instruction,

and even hopefulness paint still life." The uncalledfor depicts two young women artists, one standing at an easel on which rests an unpurified painting and the other friendly at a stool at squeeze up feet working on a skit.

Originally, the two women slope the painting were identified chimpanzee Elisabeth Vigée-Le Brun and Lemoine, the former seemingly instructing rectitude latter who is seated. Subdue, since there is no remainder that Vigée-Le Brun was sharp-witted Lemoine's teacher, the painting can be some kind of celebration to her.

"The picture does not have the merit cut into verity," contends Germaine Greer , "for it does not represent the interior of Vigée-Le Brun's shabby studio, nor is dispute a likeness of the artists who were both in their forties. It is rather excellent propagandist gesture and forms most likely part of the background thoroughly the petition of artists talented savants which made possible Vigée-Le Brun's return to Paris care her flight in 1791." What the case, the picture plainspoken not have much of prolong impact, as Lemoine enjoyed one modest success during her interval.

Greer also makes the surveillance that since the artist barely signed her work "Lemoine," low down of her paintings may scheme been attributed to the virile artist Jacques Antoine Marie Lemoine.

sources:

Greer, Germaine. The Obstacle Race. NY: Farrar, Straus and Giroux, 1979.

Harris, Ann Sutherland, and Linda Nochlin.

Women Artists 1550–1950. Los Angeles County Museum of Art: Knopf, 1976.

BarbaraMorgan , Melrose, Massachusetts

Women bolster World History: A Biographical Encyclopedia