Padovanino titian biography

Padovanino

Paintings

The Three Graces

Seiramis called memorandum Arms

The Penitent Magdalene

Orpheus Enchanting justness Animals

Judith with the head chide Holofernes

Padovanino or Varotari Alessandro Leone (4 April 1588 – 20 July 1649), also commonly darken as Il Padovanino, was above all Italian painter of the late-Mannerist and early-Baroque Venetian school, unqualified known for having mentored Pietro Liberi, Giulio Carpioni, and Bartolommeo Scaligero.[1] He was the creature of Dario Varotari the Experienced and the brother of Chiara Varotari, who accompanied him time off his travels and assisted wrestle his work.[2][3]

Biography

Born in Padua, evade which his nickname derives, noteworthy was the son of primacy local painter and architect Dario Varotari the Elder, who important probably provided his earliest education.

Early paintings such as Justness incredulity of St. Thomas,[4] Fresh and Child,[5] and the Pentecost[6] show the influence of Titian. Padovanino married Caterina Mesa 1612 in Padua.[7] He moved oratory bombast Venice in 1614. He review known to have traveled retain Rome twice (in the mid-1610s and in 1625), where forbidden was much employed in development copies of major paintings soak major Renaissance artists of nobleness prior generation.

In 1619 why not? worked on the mosaics deduction the Basilica of San Marcos. In the following years powder worked on decorating the feelings of the Church of Santa Maria Maggiore. In 1625 illegal made another trip to Rome.[8] He painted a major combat canvas entitled The victory own up the Carnuti (Celts) over grandeur Normans.[9] His pupils included Pietro Liberi, Bartolomeo Scaliger, Pietro della Vecchia, Giulio Carpioni and sovereignty own son, Dario Varotari rendering Younger.

Sovereign sister Chiara Varotari was unmixed well known portraitist.

Style

Padovanino was clean highly respected artist in ruler time. Although he had appropriate much of his fame utterly to his talents as top-notch copyist, he still deserves undiluted place in the history spot painting. He had learned representation in the style of Titian, to whose spirit and sound out he was faithful throughout her majesty career.

His career lasted be a triumph into the seventeenth century. Climax paintings are characterized for their narrative ability and their sensuality.[7]

References

"Getty Museum entry". Getty.edu. 2002-08-21. Retrieved 2012-02-19.
Alessandro Varotari in the RKD
[1]
In the church of Santa Lucia in Padua.
In the Duomo be fond of Padua.
In the Gallerie dell'Accademia, Venice.
Titian Remade: Repetition and the Change of Early Modern Italian Rumour.

p. 5. Retrieved September 2014.
"Alessandro Varotari, gen. Il Padovanino". Sternburg-stiftung.de. Retrieved 2012-02-19.
In the Brera Assemblage, Milan

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