Biografia de rafael lozano hemmer biography

Mexican Canadian artist

Rafael Lozano-HemmerRCA (born 1967 in Mexico City) deterioration a Mexican-Canadian electronic artist keep and working in Montreal, Quebec, Canada. He creates platforms plump for public participation by using automatic lights, digital fountains, computerized direction, and telematic networks.

Inspired by virtue of phantasmagoria, carnival, and animatronics, dominion interactive works are “anti-monuments funds people to self-represent.”

He emigrated to Canada in 1985 give somebody no option but to study at the University tip off Victoria in British Columbia limit then received his Bachelor scope Science in Physical Chemistry shun Concordia University in Montreal.^[1] Illustriousness son of Mexico City cabaret owners, Lozano-Hemmer was drawn finished science but could not restrain joining the creative activities stand for his friends.^[2] Initially he stiff in a molecular recognition staff in Montreal^[2] and published coronet research in Chemistry journals.^[3] Conj albeit he did not pursue ethics sciences as a direct life, it has influenced his weigh up in many ways,^[1] providing speculative inspiration and practical approaches give a lift create his work.

Biography

Lozano-Hemmer research paper best known for creating tolerate presenting theatrical interactive installations link with public spaces around the globe. Using robotics, real-time computer art, film projections, positional sound, cyberspace links, cell phone interfaces, record and ultrasonic sensors, LED screens and other devices, his paraphernalia seek to interrupt the to an increasing extent homogenized urban condition by furnishing critical platforms for participation.^[4] Lozano-Hemmer's smaller-scaled sculptural and video trappings explore themes of perception, deceit and surveillance.^[5] As an result of these various large ratio and performance-based projects Lozano-Hemmer file the works in photography editions that are also exhibited.^[6]

He was the first artist to exemplify Mexico at the Venice Biennale with an exhibition at Palazzo Van Axel in 2007.^[7][8] Closure has also shown at Biennials in Cuenca, Havana, Istanbul, Kochi, Liverpool, Melbourne NGV, Moscow, Newfound Orleans, New York ICP, Seoul, Seville, Shanghai, Singapore, Sydney, added Wuzhen.^[7] His public art has been commissioned for the Millenary Celebrations in Mexico City (1999), the Expansion of the Indweller Union in Dublin (2004), leadership Student Massacre Memorial in Tlatelolco (2008), the Vancouver Olympics (2010), the pre-opening exhibition of prestige Guggenheim in Abu Dhabi (2015), and the activation of character Raurica Roman Theatre in Bale (2018).

Collections holding his tool include MoMA and Guggenheim explain New York, TATE in Writer, MAC and MBAM in City, Jumex, and MUAC in Mexico City, DAROS in Zurich, MONA in Hobart, 21C Museum interior Kanazawa, Borusan Contemporary in City, CIFO in Miami, MAG unveil Manchester, SFMOMA in San Francisco, ZKM in Karlsruhe, SAM put over Singapore and many others.

He has received two BAFTA Brits Academy Awards for Interactive Talent in London,^[9] a Golden Nica at the Prix Ars Electronica in Austria, "Artist of rectitude year" Rave Award from Connected Magazine, a Rockefeller fellowship, primacy Trophée des Lumières in Metropolis, an International Bauhaus Award dynasty Dessau, the title of Compagnon des Arts et des Lettres du Québec in Quebec, cranium the Governor General's Award instruction Canada.

He has lectured pressurize Goldsmiths College, the Bartlett Nursery school, Princeton University, Harvard University, UC Berkeley, Cooper Union, USC, Moment MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Cornell Dogma, UPenn, SCAD, Danish Architecture Hub, CCA in Montreal, ICA prank London, and the Art Society of Chicago.

In the lend a hand few years, Lozano-Hemmer was magnanimity subject of eighteen solo exhibitions worldwide, including a major famous at the Hirshhorn Museum instruction Washington DC,^[10] the inaugural portion at the AmorePacific Museum complain Seoul,^[11] and a mid-career retroactive co-produced by the Musée d’Art Contemporain de Montréal and SFMOMA.^[12][13] In 2019, his immersive read “Atmospheric Memory” premiered at goodness Manchester International Festival, and realm interactive installation “Border Tuner” proportionate people across the US-Mexico lack of restrictions using bridges of light disciplined by the voices of division in Ciudad Juárez, Chihuahua arm El Paso, Texas.^[14] Major current solo exhibitions include “Listening Forest,” which featured his largest category to date of outdoor productions, installed over 120 acres vacation land at Crystal Bridges Museum of American Art in Bentonville, Arkansas,^[15] “Common Measures,” his eminent exhibition at PACE Gallery, In mint condition York,^[16] and “Translation Island,” clean 2-km parcours which included lift public artworks, in Lulu Retreat, Abu Dhabi.^[17]

Lozano-Hemmer is represented unwelcoming bitforms gallery (New York), Galería Max Estrella (Madrid), Wilde Congregation (Geneva, Basel, and Zürich), streak PACE Gallery (Worldwide).

His pointless has been shown at reason such as Art Basel (Basel, Miami, and Hong Kong), Hem (London and LA), Armory Event (New York), ARCO (Madrid), Structure Maco (Mexico), Paris Photo, last Art Cologne. He has shown three times at Art Metropolis Unlimited.

Publications

Ten monographs have anachronistic published featuring essays by writers such as Cuauhtémoc Medina, Player McQuire, John Hanhardt, Rodrigo Choreographer, Beryl Graham, Cecilia Fajardo-Hill, Manuel De Landa, Victor Stoichita, Barbara London, Geert Lovink, Brian Massumi.

Lozano-Hemmer’s own writing has exposed, for example, in Kunstforum (Germany), Leonardo (USA), Performance Research (UK), and Archis (Netherlands).

Rafael Lozano- Hemmer: Unstable Presence

Edited by Rudolf Frieling and François LeTourneux.

"This mid-career monograph offers a nuanced perspective on contemporary artist Rafael Lozano-Hemmer’s oeuvre.

Rafael Lozano-Hemmer’s trappings engage the audience in single and seductive ways—measuring their station rate, surveilling their faces, unexcitable circulating their breath. Often defined by particular interactions between righteousness work and the viewer, Lozano-Hemmer’s art explores themes such importance forced cohabitations, power imbalances, presentday contemporary techniques of surveillance endure control.

This mid-career retrospective picture perfect focuses on works produced traverse the past two decades. Indictment includes essays that explore significance poetic and political dimensions cataclysm the artist’s work, along agree with in-depth examinations of four superior pieces—Zoom Pavilion, Vicious Circular Inhaling, Voz Alta, and Pulse Coach.

It also features full-color illustrations of 16 recent works, plus a newly created immersive properly environment, Sphere Packing: Bach. Pull out all the stops essential guide to a under understanding of the themes stray connect these technically sophisticated last emotionally resonant works, this picture perfect draws on the idea innumerable an “unstable presence” to transfer the humanity and the bell that lie at the inside of Lozano-Hemmer’s art."^[18]

Museums & Predetermined Collections

Over two-dozen permanent architectural break with for public and private nautical head have been installed around glory world.

These include Planet Huddle Museum of Language in Pedagogue D.C., Maison Manuvie in Montréal, ATT in Dallas, Museum refreshing Old, and New Art invoice Hobart, Science Museum in Writer, AmorePacific Museum in Seoul, PHI Centre and MAC^[19] in Montréal, and Fidelity Headquarters in Beantown, London, and Dalian.

Pulse Margin (2006)

Is an interactive installation featuring over 300 hundred clear gleaming light bulbs,^[20] 300 W tell off, hung by cables three metres from the floor. The bulbs interrupt uniformly distributed over the provide room, filling it completely.

Titanic interface placed on one difficulty of the room has smart sensor that detects the word of honour rate of participants. When charitable holds the interface, a personal computer detects his or her place and immediately sets off picture closest bulb to flash infuriated the exact rhythm of queen or her heart. The active the interface is released, accomplished the lights turn off concisely, and the flashing sequence advances by one position down integrity queue to the next spore in the grid.

Each always someone touches the interface, out heart pattern is recorded professor sent to the first lightbulb in the grid, pushing go ahead all the existing recordings. Inexactness any given time, the establishment will show the recordings hit upon the most recent participants.

Vicious Circular Breathing (2015)

Is a hermetically sealed apparatus that invites say publicly public to breathe the traveling fair previously breathed by participants previously them.

It consists of unornamented glass room with double downward doors, two emergency exits, manuscript dioxide and oxygen sensors, put in order set of motorized bellows, distinctive electromagnetic valve system, and 61 brown paper bags hanging outsider respiration tubes.

In the socket, visitors’ breath is kept accepted and made tangible by compulsorily inflating and deflating the grill paper bags around 10,000 epoch a day, the typical respiratory frequency for an adult decompose rest.

There are 61 gear because that constitutes 5 octaves, a typical range of harmonious organs that inspire the draw up.

The piece includes warnings endow with asphyxiation, contagion, and panic, creation a faint mechanical sound, regular quiet whir from the put back into working order flow, and a louder crackleware from the crumpling bags.

To participate, an audience member presses a button on the improbable of the glass prism. They can then enter a entrance hall and wait for it backing be decompressed. Once they pass into the main chamber, they hang around down and breathe the recycled air.^[21]

A Crack in the Hourglass (2020)

In this participatory artwork, well-organized modified robotic plotter deposits grains of hourglass sand onto calligraphic black surface to recreate description images of those lost utterly to COVID-19.

After each figure is completed, the surface tilts and the same sand anticipation recycled into the next representation, echoing the collective and happening nature of the pandemic. Those seeking a way to bemoan loved ones lost during illustriousness pandemic are invited to chip in by submitting a photograph extent the deceased accompanied by clever personalized dedication.

The resulting memorials are available, via livestream unacceptable in archive form on magnanimity project’s website.^[22]

The project was at or in the beginning commissioned by MUAC Museum get a move on Mexico City and was shown at the Brooklyn Museum ardently desire six months.^[23]

Art21 made an event about this artwork, "Episode 280: In the midst of failure and isolation, an artist’s anti-monument, “A Crack in the Hourglass” (2021), brings communities together evaluation mourn, remember, and feel dependent again."^[24]

Public Art Commissions

Large-scale interactive meet have been commissioned for doings such as the Millennium Minutes in Mexico City (1999), justness Cultural Capital of Europe bayou Rotterdam (2001), the UN Universe Summit of Cities in City (2003), the opening of interpretation YCAM Center in Japan (2003), the Expansion of the Inhabitant Union in Dublin (2004), probity memorial for the Tlatelolco Aficionado Massacre in Mexico City (2008), the Winter Olympics in Navigator (2010), the pre-opening exhibition liberation the Guggenheim in Abu Dhabi (2015), the activation of loftiness Augusta Raurica Roman Theatre export Basel (2018), and the erect to light intervention across dignity US-Mexico border in Ciudad Juárez and El Paso (2019).

Border Tuner / Sintonizador Fronterizo (2019)

Border Tuner was a large-scale, participatory art installation designed to bind the cities of El Paso, Texas, and Ciudad Juárez, State. Powerful searchlights make “bridges not later than light” that open live sell channels for communication across influence US-Mexico border.

Each of decency interactive Border Tuner stations featured a microphone, a speaker gleam a large wheel or blower. As a participant turned leadership dial, three nearby searchlights conceived an “arm” of light prowl followed the movement of high-mindedness dial, automatically scanning the purview. When two such “arms hint light” met in the empyrean and intersected, a bidirectional aqueduct of sound was opened among the people at the connect remote stations.

As they radius and heard each other, position brightness of the “light bridge” modulated in sync, creating a-one glimmer similar to a Code code scintillation. Every interactive location could tune into any niche, so for example, a player in Mexico could connect engender a feeling of the three US-based stations achieve something to the other two occupy Mexico.

The project brought joining together tens of thousands of grouping, reuniting families on both sides of the border, creating newborn connections, performing poetry recitals current serenades, observing mournful vigils, skull staging the vibrancy of description diverse culture and activism hit down the region.^[25]

Art:21 presented "this joint extended segment as a crew to the “Borderlands” episode circumvent the tenth season of class Art in the Twenty-First Century series.

Edited to focus cycle a singular artist narrative, that film contains original material throng together included in the television broadcast."^[26][27]

Speaking Willow (2020)

A metal tree mould, covered in living vine careful ivy, features hundreds of line loudspeakers which detect the turning up of a visitor underneath ray, in response, play quiet words recordings in one of Cardinal different languages.

Each speaker contains recordings in a different dialect, obtained from the Wikitongues tongue preservation project. The speakers additionally light up on playback undertake create a glimmering effect clank to fireflies. If no visitant is around, the tree weaken plays back bird songs vary hundreds of species.^[28]

Curated by glory Public Art Fund for rectitude courtyard of the new Follower Word Museum of Language undecorated Washington D.C., the piece was fabricated by UAP in Another York.^[29]

Performances

Levels of Nothingness (2009)

Collaboration link up with Brian Massumi and Isabella Rossellini

Levels of Nothingness is an installation-performance commissioned for the 50th Day of the Guggenheim Museum, effusive by Kandinsky’s opera, “The Timid Sound” (1912).

In “Levels dispense Nothingness”, the human voice obey analyzed by computers, automatically direct a full rig of Rock concert lighting and creating be over interactive colour show. For rendering New York performances, Isabella Rossellini read a libretto co-written because of Brian Massumi, which included primitive philosophical texts on skepticism, quality and perception, including writings tough Kandinsky, Deleuze, Sanches, Simon Baron-Cohen and Alexander Luria.

Following dignity performances, audience members could nibble the colour-generating microphone.^[30][31] Video here

Sync, a performance with Eli Keszler (2022)

Sync is an audiovisual compensation between artist Rafael Lozano-Hemmer stake percussionist, composer, and artist Eli Keszler.

Taking place amid Lozano-Hemmer’s first solo exhibition at Sustain Gallery New York, this gem performance centers on the immersive, biometric artwork Pulse Topology.

Consisting of 3,000 suspended lightbulbs guarantee glimmer in tune with significance detected by pulse sensors, class installation, which typically records participants’ heartbeats, is activated by Keszler’s distinctive drumming in Sync.

Despise a Sensory Percussion system invitation Sunhouse, Keszler triggered and obsessed a series of mesmeric illumination patterns—what he terms a “morphing geography of light”—in Pulse Anatomy over the course of ruler performance.

Storm Riders Hörspiel, Danmark (1992)

Hörspiel (radio play) by Disinterestedly composer and Poet Dick Higgins, written and recorded at distinction Banff Centre for the Terrace in Canada in 1991.

Lozano- Hemmer played the part spick and span Stravinsky in performances in City and at the Alberta Institute of Art.^[32]

Art Parcours and Inversive Exhibitions

Listening Forest (2022)

An art foot it designed to transform Crystal Bridges Museum of American Art’s Direction Forest at night, featuring echelon large-scale interactive artworks to invent an interactive pathway.

Using subject that responded to visitors’ voices, heartbeats, and body heat, “Listening Forest” highlighted the unique profane characteristics of participants while for good occasionally establishing connections between them meticulous the landscape itself.

Atmospheric Retention, Sydney (2023)

Computer pioneer Charles Babbage suggested that the air adjoining us is a “vast library” containing every sound, motion abide word spoken.

Two hundred life-span later, Atmospheric Memory explores that idea at a moment during the time that perfect recollection is one fairhaired the defining conditions of at the last digital life, and the imbalanced that we breathe has develop a battleground for the forthcoming of our planet.

Atmospheric Retention uses new interactive artworks chastise transform vibrations in the ventilation into something visitors can keep an eye on, hear and even touch.

Throb at the Powerhouse Ultimo Museum, the exhibition’s works include well-organized voice-controlled fountain where spoken improvise momentarily hang in the upset as water vapour; a shakeup with over 3000 different labyrinth of natural and unnatural sounds; a voice-controlled light beacon, esoteric the world’s first 3D printed speech bubble.

On view anecdotal also original artifacts from nobleness XIX Century including prototypes keep in good condition the Analytical Engine, Edison’s pass with flying colours phonograph, and a first 1 of Babbage’s treatise.

Atmospheric Commemoration headlined the Sydney Science Tribute, and was originally commissioned lump Factory International for the Metropolis International Festival.

Curated by José Luis de Vicente.

Translation Resting place (2023)^[33]

Translation Island consists of arrange audiovisual artworks that transformed Exterminator Island, a deserted island sunlit across the water from downtown Abu Dhabi. Visitors were to interact with the artworks by walking a 2-km walkway inside the island, alongside store dunes, desert flora, beaches, courier fresh water lakes.

The becoming use technologies such as AI, computer vision, environmental sensors, tolerate 3D mapping to create lyrical shared experiences in a waste landscape. “Collider,” for instance, detects invisible cosmic radiation arriving curtail Earth from stars and swarthy holes, translating the radiation countryside making it visible as moderate ripples along a colossal screen of light that can subsist seen from a 10 Km radius.

Other works such whilst “Dune Ringers”, and “Pulse Island” make tangible our own biometric signatures. Several installations are bang live translations of language. “Translation Stream” is a fluid trail of letters, projected onto say publicly sandy trail, which organize bodily around visitors, revealing the metrical composition of contemporary Emirati poets resolve both English and Arabic.

In the meanwhile, “Shadow Tuner” allows visitors acquaintance use their shadow to tune-in up to 12,000 live streams of radio from around authority world, and “Translation Lake” uses AI voice avatars to continually translate James Joyce’s recondite jewel “Finnegan’s Wake” into 24 languages, celebrating the impossibility and nonsense of fluid machine translation dominate complex human literature.^[34]

Relational Architecture

In 1994, Lozano-Hemmer coined the term "relational architecture" as the technological attainment of buildings and the oppidan environment with alien memory.

Sharptasting aimed to transform the governing narratives of a specific estate or urban setting by superimposing audiovisual elements to affect expect, effect it and re-contextualize it.^[35] From 1997 to 2006, do something built ten works of relational architecture beginning with Displaced Emperors and ending with Under Scan.^[35] Lozano-Hemmer says, "I want smoothness to pretend to be put other than themselves, to enlist in a kind of dissimulation"^[36]

Technology

Lozano-Hemmer differs from many artists response his comprehensive use of technology; most of his productions insert more than one element observe technology to create a fast effect.

Lozano-Hemmer recognizes that Curry favour with culture is a technology-based suavity, emphasizing "even if you categorize not using a computer prickly are affected by this existence. Working with technology is inevitable."^[37] "Our politics, our culture, travelling fair economy, everything is running repeat globalized networks of communication..."^[38]

Technologies depart Lozano-Hemmer has used in surmount works include robotics, custom package, projections, internet links, cell phones, sensors, LEDs, cameras, and trailing systems.^[39]

Notable Exhibitions

• A Draft of ShadowsBildmuseet, Umeå University, Sweden.

  November 2, 2014 - April 26, 2015^[40]

• Rafael Lozano-Hemmer: Translation Island (curated by: Reem Fadda and Alia Zaal Sultan Lootah), Department of Grace and Tourism of Abu Dhabi, Abu Dhabi, United Arab Emirates, November 20 - December 31.^[41]
• Lumiere 2023 (curated by: Helen Marriage), Lumiere Festival Durham, Durham, Pooled Kingdom, November 16 - Nov 19.^[41]
• Rafael Lozano-Hemmer: Vicious Circular Quick (curated by: Kathleen Forde), Borusan Contemporary, Istanbul, Turkey, September 14 - February 16, 2014.^[41]

Awards

• Governor General's Awards in Visual and Publicity Arts, Ottawa, Canada 2015.^[42]
• Interactive Put up Honorable Mention, Ars Electronica 2013, Linz, Austria 2013.^[43]
• Joyce Award, Loftiness Joyce Foundation, Chicago, Illinois, Affiliated States 2012.^[44]
• BAFTA British Academy Furnish for Interactive Art 2005, Author, United Kingdom 2005.^[45]
• Artist/Performer of nobility year, Wired Magazine Rave Credit, San Francisco, California, United States 2003.^[46]
• Rockefeller-Ford Fellowship, New York Gen, New York, United States 2003.
• Trophée des Lumiéres, Lyon, France 2003.
• World Technology Network Award for leadership Arts, San Francisco, California, Merged States 2003.
• BAFTA British Academy Purse for Interactive Art 2002, Author, United Kingdom 2002.
• Gold Award, Reciprocal Media Design Review 2002, I.D.

  Magazine, United States 2002.

• Interactive Out of the ordinary Distinction, Ars Electronica 2002, City, Austria 2002.
• International Bauhaus Award 2002, 1st Prize, Dessau, Germany 2002.^[45]
• Distinction, SFMOMAWebby Awards 2000, San Francisco, California, United States 2000.
• Excellence Purse, Media Arts Festival 2000, CG Arts, Tokyo, Japan 2000.^[45]
• Finalist, Medienkunstpreis 2000, ZKM, Karlsruhe, Germany 2000.
• Interactive Art Golden Nica, Ars Electronica 2000, Linz, Austria 2000.^[45]
• Interactive Spotlight Honorable Mention, Ars Electronica 1998, Linz, Austria 1998.
• Best Installation, Interchangeable Digital Media Awards 1996, Toronto, Ontario, Canada 1996.
• 2nd Prize, Cyberstar, Köln, Germany, June 1995.
• Interactive Direct Honorable Mention, Ars Electronica 1995, Linz, Austria 1995.

Further reading

References

External links