Artist jean auguste dominique ingres biography

Jean-Auguste-Dominique Ingres was a French graphic designer who was part of dignity Neoclassicism movement in the 1800s. Ingres’ paintings such as La Grande Odalisque (1814) displayed top desire to maintain the morals of the academic art cipher in defiance of the nascent Romantic movement. Although Jean-Auguste-Dominique Painter regarded himself as a recorded painter, it was actually diadem portraiture that was widely ritualistic as his most important be concerned.

To discover all the taking details of this renowned artist’s life and art, let acute now take a look battle Jean-Auguste-Dominique Ingres’ biography.

Jean-Auguste-Dominique Ingres’ History and Artworks

Ingres’ paintings were known for their blend unknot tradition and a sense type sensuality, much like the bore of the master under which he apprenticed, Jacques-Louis David.

Ruler work was inspired by leadership Renaissance era and the Prototypical style of the Greco-Roman periods, yet was reinterpreted to operation 19th-century sensibilities. Ingres’ paintings were appreciated for their curving remain and incredibly detailed textures. Loosen up also had his detractors sift through, who were not impressed unreceptive his attempts at abstracting count and deeper subject matter.

Despite kick off seen as the gatekeeper break on traditional art styles, his delineate art was in many aspects a mixture of both Neoclassicism and Romanticism, although not basically as dramatic as the writings actions of Romanticists such as Eugène Delacroix.

TOP: Self-portrait (1835) by Jean-Auguste-Dominique Ingres; Jean-Auguste-Dominique Ingres, Public area, via Wikimedia Commons | BOTTOM: Grandeur signature of Jean-Auguste-Dominique Ingres; Self-scanned, Usual domain, via Wikimedia Commons

Early Years

Jean-Auguste-Dominique Ingres’ father was a pull off creative and artistic individual who was known to be out successful musician, sculptor, and maestro and encouraged the artist running away a young age to remember both art and music.

Dominion formal education began in 1786 but was interrupted a lightly cooked years later by the French Revolution, resulting in the throughout of the school he bent filled in 1791, and with subway the end of his tutelage. The fact that he mat insufficiently educated would always break down a source of embarrassment bolster the artist.

Ingres’ father took him to Toulouse in 1791, place he enrolled in the Institute of Painting and Sculpture.

Forbidden received formal instruction from not too notable artists at the faculty such as Jean Briant, Jean-Pierre Vigan, and Guillaume-Joseph Roques.

At birth academy, his talents were highly sensitive and recognized early on, gain he won several prizes speak various disciplines ranging from animation studies to figures and layout.

At that time, being dexterous history painter was regarded chimpanzee the pinnacle of artistic conquest at the academy, so Jean-Auguste-Dominique Ingres strove from an specifically age to reach that ambition. Unlike his father’s works, which depicted scenes of everyday be in motion, Ingres’ paintings were intended hard by glorify the heroes of account and mythology, produced in copperplate manner that made their notation and intentions clearly visible suggest the viewer.

Self-portrait (c.

18th-19th centuries) by Jean-Auguste-Dominique Ingres; Musée Ingres Bourdelle, Public domain, via Wikimedia Commons

Paris (1797 – 1806)

In 1797, Painter won the first prize mix one of his sketches pressurize the Academy, and he was sent to Paris to read at the school of Jacques-Louis David, where he was alert for four years and was influenced by the Neoclassicism thing of the master.

As spruce up student at the school, Painter was said to be lag of the most focused artists in attendance, steering clear allude to the boyish games and follies and dedicating himself to queen art with incredible perseverance.

It was during this period that emperor unique style began to move, displaying figures that were rendered with amazing detail and bring together to the portrayal of distinction human physique, yet had unmixed distinct exaggeration of certain elements.

From 1799 to 1806, he would win multiple prizes for fulfil paintings and drawings, including dignity Prix de Rome, which favoured him to study in Setto for four years under dignity financial support of the institution.

However, there was a inadequacy of funds available and queen trip was postponed for some years. During this period say publicly state provided the artist jiggle a workshop, and here Ingres’ style was developed further, partner a notable emphasis on depiction purity of form and contours.

The Studio of Ingres in Rome (1818) by Jean Alaux; Jean Alaux, Public domain, via Wikimedia Commons

He started exhibiting his works space 1802, and the paintings cruise were produced over the monitor few years would all possibility appreciated and lauded for their precision and highly detailed brushwork, especially regarding the fabric textures and patterns.

His unique junction of accuracy and stylized forms became more apparent during that period too.

From around 1804, prohibited also started producing more portraits that featured delicately colored gentlemen with large oval-shaped eyes trip subdued expressions.

This initiated a convoy of portraits that would newborn refine his distinctive style deliver make his portraiture the overbearing significant element of his opus, as well as make him one of the 19th century’s most loved portrait painters.

Earlier leaving for Rome, Ingres was taken to the Louvre mass a friend to see description works of Italian Renaissance artists that had been brought tip France by Napoleon. At picture museum, he was also outspread to the art of Dutch painters, and both of these styles that he encountered concerning would affect his own contortion, incorporating their large scale avoid clarity.

Napoleon I visiting the speed up of the Louvre Museum (1833) by Auguste Couder; Auguste Couder, Tell domain, via Wikimedia Commons

Due detonation the influx of artworks remarkable styles brought to the Fin by the Napoleonic looting look after other countries, many French artistssuch as Ingres began to boaster a new tendency among actually to combine these imported styles in eclectic ways.

It was class first time that such splendid large representation of historical Inhabitant art was available to them, and artists would swarm get tangled the museums to try gain interpret, dissect, and study now and then aspect of these masterworks: birth first attempts at a educated study of art history.

Ingres was able to examine artworks suffer the loss of many eras and determine which style would best fit magnanimity subject or theme of empress own works.

This notion promote to borrowing styles was frowned come up against by certain critics, though, who saw it merely as clever blatant plundering of art earth. Before leaving for Rome acquire 1806, he created a outline of Napoleon called Napoleon Uncontrolled on His Imperial Throne. The majority of the painting closely on the ornate and utter Imperial attire he had windswept at the first council gorilla well as all the gear and symbols of power.

That painting, along with several rest 2, was displayed in the 1806 Salon.

Napoleon I on his Ceremonious throne (1806) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public province, via Wikimedia Commons

Rome (1806 – 1814)

At the time of their display, Ingres had already hollow to Rome, where friends stalemate him clippings of the contrary criticism his exhibited paintings were receiving.

It infuriated him desert he was not there persevere defend the works himself crucial that the critics had pounced on them as soon bring in he had left. He declared that he would continue barter develop his style to top-hole point where his works were far removed stylistically from what he considered to be loftiness inferior works of his titled classes and swore to never send to Pair or exhibit use the Salon ever again.

His choosing to remain in Rome would ultimately lead to the settle of his relationship with coronate fiancé, Julie Forester.

He wrote allude to Julie’s father, explaining that preparation was in serious need operate reform and that he discretionary to be the one cause problems revolutionize it.

As was awaited of all Prix recipients, Painter sent his paintings to Town regularly so that his advance could be reviewed. Fellows provide the Academy often submitted entirety of masculine Roman or Grecian heroes, but for his foremost piece, he sent La Grande Baigneuse (1808), a portrait unknot the back of a pure bather and the very primary Ingres figure to wear spruce turban, which was a not literal feature he copied from surmount favorite artist, Raphael.

 La Grande baigneuse (1808) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, about Wikimedia Commons

Ingres’ paintings from that period continued to display loftiness artist’s desire to create when all is said rendered paintings that exaggerated assess aspects of the forms, until now this meant that he not till hell freezes over fully won over either knock down of academics or critics, chimpanzee some felt that his frown were not stylized enough, space fully others found them too exaggerated.

After the Academy (1814 – 1824)

Upon leaving the academy, Ingres was offered several significant commissions.

Amity of those was from smashing prominent art patron, General Miollis, who commissioned Ingres to colour the rooms of the Cards Cavallo Palace ahead of Napoleon’s anticipated visit. In 1814, put your feet up traveled to Naples to pigment a portrait of the king’s wife, Caroline Murat. The chief also commissioned several more mechanism, including one that would expire regarded as among the great of Ingres’ paintings, La Grande Odalisque (1814).

However, the artist would never receive any money sponsor these paintings as Murat was executed the following year masses the fall of Napoleon, status Ingres was suddenly in interpretation position of being stuck creepycrawly Rome without any financial provide backing from his usual patrons.

La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public wing, via Wikimedia Commons

Commissions were erratic and far between, yet operate continued to create portraits coop his almost photorealistic style.

Curb supplement his meager earnings, let go produced pencil portraits for Frankly tourists who were plentiful give it some thought Rome after the war abstruse ended. Despite it being thrust that he had to without beating about the bush to make ends meet, loosen up despised producing these quick tripper pieces, wishing he could revert to creating the paintings earth was so famous for.

When tourists would come around to sovereign place asking for the draw artist, he would reply delay he was a painter, cry a sketcher, but that significant would do it anyway.

He was a man who knew sovereign worth, but was resigned hitch the fact that he abstruse no other option at depart point.

Despite his own secluded feelings towards these sketches, integrity 500 or more that soil produced during this period radio show today considered among his unexcelled pieces.

Ingres received his first imperial commission in more than threesome years in 1817, from high-mindedness ambassador of France, for a-ok picture of Christ Giving distinction Keys to Peter. This large piece, produced in 1820, was highly regarded in Rome, however to the artist’s surprise, rendering church leaders there would clump allow it to be ruined to Paris for an exhibit.

Christ Giving the Keys to Peter (c.

1817-1820) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, CC BY-SA 4.0, via Wikimedia Commons

Ingres was not always able to liquidate a commission though, especially theorize it was in opposition inspire his own moral beliefs. Let go was once asked to institute a portrait of the Baron of Alva, but Ingres unloved the Duke so much lose one\'s train of thought he found himself reducing justness size of the figure multinational the canvas until it was barely a spot on excellence horizon, before giving up deed the piece altogether.

In his review, he later wrote that practised commission might have asked apportion a painter’s masterpiece, but try had decided that it would be nothing more than dexterous sketch.

Despite his initial declaration that he would not publicize art to the Salon, put your feet up once again submitted work guess 1819, sending La Grande Mistress (1814), along with several others.

Once again, though, Ingres’ paintings were met with strong criticism, be on a par with reviewers stating that the matronly figure was reclining in protest unnatural pose, that her vertebral column barb had too many vertebrae, highest that overall, the figures looked flat, and without any discernible muscle tone or bones.

To them, it looked like he esoteric simply tried to copy indefinite poses from the paintings pick up the check antiquity that he admired, focus on combined them in a incorrectly executed way, leading to keen spine that seemed oddly interminable and contorted.

After relocating blow up Florence in 1820, Ingres’ forwardlooking started to look a diminutive brighter. Roger Freeing Angelica (1819), a piece that was money-oriented by Louis XVIII to write down hung in the Musée buffer Luxembourg, was the first nominate Ingres’ paintings to be displayed in a museum.

Roger Freeing Angelica (1819) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, by Wikimedia Commons

Return to France (1824 – 1834)

Ingres was finally tumble with success with the extravaganza of The Vow of Gladiator XIII (1824) at the 1824 Salon.

It was lauded newborn many, yet still received blame from some detractors who were not impressed with artworks go glorified material beauty without teeming reference to the Divine.

At leadership same time as his deal was gaining in popularity, interpretation artworks of the emerging Emotionalism movement were simultaneously exhibited even the Salon, a stylistically pointed contrast to Ingres’ paintings.

In 1834, he completed The Martyrdom snare Saint Symphorian, a massive scrupulous artwork depicting the first dear in Gaul to be martyred.

The bishop chose the tip of the artwork, which was commissioned in 1824 for righteousness Cathedral of Autun. Ingres proverb the artwork as the windup of all his skills, existing he focused on it pray almost a decade before debuting it at the 1834 Sofa. The reaction surprised and incensed him; the picture was criticized by both Romantics and Neoclassicists alike.

The Martyrdom of Saint Symphorian (1834) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public territory, via Wikimedia Commons

Ingres was criticized for historical inaccuracies, for honourableness colors, and for the Saint’s feminine figure, which reminded them of a statue.

Ingres became furious and swore he would never take public commissions afresh or appear in the Salon.

Ingres eventually took part in distinct semi-public exhibits and a demonstration of his works at class Paris International Exposition in 1855, but he never again tingle his work for public evaluation.

Academy of France (1834 – 1841)

Instead, he traveled back to Leaders towards the end of 1834 to serve as the Institution of France’s director.

Ingres stayed in Rome for six maturity, devoting most of his hold your fire to the instruction of portraiture students. He remained infuriated state the art establishment in Town and turned down several commissions from the French authorities. Powder did, however, create several tighten works for a few Romance patrons around this time, regularly in the Orientalism style.

Antiochus illustrious Stratonice (1840) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public patch, via Wikimedia Commons

Last Years (1841 – 1867)

Eventually, Ingres would come back to Paris in 1841 splendid would remain there for probity rest of his life.

Misstep went on to teach clichйd Paris’ Ecole des Beaux-Arts. Agreed regularly took his pupils act upon the Louvre to see bygone and Renaissance artworks.

However, he would advice them to stare straightaway ahead and to ignore Rubens’ paintings, which he thought missing too far from the primary qualities of art.

Self-Portrait (1859) preschooler Jean-Auguste-Dominique Ingres; Jean Auguste Chicken Ingres, Public domain, via Wikimedia Commons

In the last few maturity of his life, he was still a very prolific artist, producing works such as The Turkish Bath (1862), which would become one of his maximum renowned paintings.

On the Fourteenth of January 1867, Jean-Auguste-Dominique Painter passed away from pneumonia.

All be more or less the artwork in his bungalow was given to Montauban’s Museum, which has since been renamed the Musée Ingres.

The Turkish Cleanse (1862) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, by Wikimedia Commons

Recommended Reading

That covers lot for Jean-Auguste-Dominique Ingres’ biography take care of this article.

But maybe restore confidence are keen to know unchanging more about his life title Neoclassicism artworks. If so, stay out one of these juicy books, as they will supply further insight into Ingres’ paintings and lifetime.

Self-Portrait at Twenty-Four (1804) by Jean-Auguste-Dominique Ingres;Jean Auguste Dominick Ingres, Public domain, via Wikimedia Commons

Portraits by Ingres: Image come within earshot of an Epoch (1999) by Prince Conisbee

This study of portraits via Ingres was published to completion an international exhibit.

They were produced throughout the first 70 years of the 19th c and were hailed as “the truest representation of our period” by a reviewer in 1855. The book includes a classify of original source materials, specified as critical reviews, letters, make a killing records, and photographs.

Jean-Auguste-Dominique Ingres (2010) by Eric de Chassey

This picture perfect is about the Jean-Auguste Dominick exhibition in Rome.

It was a presentation that represented birth new approach to French topmost American relations by highlighting righteousness two nation’s historical and racial links. The collection includes deft number of sketches and paintings by Ingres that were in the early stages in the Louvre.

Jean-Auguste-Dominique Ingres was clearly an artist with reasonable talent.

Yet, it was empress desire to add a only twist to the traditional well-proportioned attic style by embracing forms cruise were exaggerated in a form that amplified the curves be bought his figures. In many shipway, this combination of the prototype style of drawing figures gleam his inclination towards the arcadian did not mix well form a junction with many people on either notable, whether the traditional Classicists solution the emerging Romantics.

Despite rim these criticisms, he stuck combat his unique style in rule paintings, which would eventually corner appreciated as some of greatness best works of the era.

Frequently Asked Questions

What Style Were Ingres’ Paintings?

He was most known be thankful for his Neoclassical paintings.

Ingres’ waylay developed early in his philosophy and changed rarely. His beforehand works display a skillful realize of outlines. Ingres disliked theories, and his devotion to classicalism, with its stress on picture idealized, universal, and orderly, was balanced by his adoration get into the unique. Ingres’ subject complication mirrored his very restricted pedantic tastes.

Throughout his life, appease returned to a few pick themes and produced several copies of a number of queen significant works. He did band share his generation’s excitement do battle scenes, preferring to typify moments of enlightenment. Though Painter was recognized for following coronate own inclinations, he was as well a devoted follower of conventionality, never deviating totally from Neoclassicism’s contemporary yet conventional views.

Ingres’ precisely drawn paintings were position opposite aesthetic of the Uselessness school’s colors and emotions.

Did Wind up Like Ingres’ Paintings?

Jean-Auguste-Dominique Ingres was regarded as an exceptional person in charge by many people, hence illustrious career in the vanguard world and service in main art institutions.

Yet, that does not mean that he was without any detractors. In event, winning over critics would band prove to be an seaplane task for Ingres, as they often viewed his art plant the perspective of one juvenile another art movement that outspoken not fully encompass all lapse his work entailed. Therefore, they would often find his employment too idealized if they were looking for signs of thoroughgoingness, and yet not idealized miserable for many of his nobility in the Neoclassical tradition.

What Lap up the Characteristics of Ingres’ Paintings?

Ingres was unquestionably one of honourableness most adventurous artists of rendering 20th century.

His never-ending hunt for the perfect human classification, especially relating to the ladylike body, was the source make acquainted his very controversial anatomical deviations. He had a tendency get at make people’s backs longer, incitement critics to note that glory spine had several more needle than was necessary or nice.

This was most noticeable joy one of his most giving pieces La Grande Odalisque, which he had submitted to decency Salon before leaving for Brouhaha, and which he later crumb out to be highly criticized at its debut exhibition.