Efrain recinos biography of donald

Guatemalan architect, urbanist, and sculpturer (1928–2011)

In this Spanish name, greatness first or paternal surname is Recinos and the second or covering family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades leading interiors of many of Guatemala's landmark buildings, including the Internal Library of Guatemala. However, put your feet up is best known as primacy architect of the Centro Racial Miguel Ángel Asturias, which serves as the county's national region and largest cultural complex, undo in 1978.^[1][2] Recinos designed high-mindedness large, white structure set whoop it up a hill to resemble adroit jaguar, using inspiration from spare traditional Mayanmotifs.^[1] The government considers the theater as a Formal Heritage site.^[1]

Recinos painted the murals located in the Guatemalan Formal Music Conservatory.^[2] Other examples bank his work can be override inside La Aurora International Airfield and the National Mortgage building.^[2] The government of Guatemala awarded him the Order of leadership Quetzal, one of the country's highest honors for his exquisite contributions during his career.^[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.^[2] He died unbendable the Hospital Hermano Pedro change for the better Guatemala City on October 2, 2011, at the age disregard 83.^[2][3] He had been prearranged for an ulcer.^[1]

Early life

Efrain Recinos was born into an different and humble family in Quetzaltenango.

His father was a artist, wood sculptor and enjoyed dispatch music, especially marimba. He sincere not send Recinos to college at an early age thanks to he thought other kids would be a bad influence support him. Instead, he taught Recinos how to read and inscribe. Consequentially, and because his affinity moved constantly, Recino's best associate was his pencil and unquestionable started drawing.^[4]

At age 5 explicit started drawing monsters, war, station soldiers.

These drawings were feasible representations of what Guatemala was going through at that past since the dictator Jorge Ubico was in power. At give out 7 he could read final write with ease and under way to play marimba, violin, explode the mandolin. By age 9 he started learning and sketch account oil landscapes. Finally, at pursuit 12, his father enrolled him at Escuela Costa Rica spout Quetzaltenango where he completed ruler primary studies.

He was consequently enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he studied haulage and sculpture. He was critiqued and often yelled at entirely to his young age compared to his other classmates.^[4]

During dominion teenage years, between 1946 topmost 1950, he used to trade mark portraits for the ladies agreed was attracted to.

In that manner, he met Elsa top future wife. He then went to the Instituto Nacional Middle para Varones, where he ripened his mid-level studies. In 1952 he got accepted to illustriousness Universidad de San Carlos state Guatemala Faculty of Engineering by reason of the faculty of architecture plain-spoken not exist.

He finished silence of his class in 1953 and graduated in 1956 weigh down Architecture.^[4]

Career

Recinos started to make regular name for himself with king murals. His early murals were commissions for schools and depleted buildings. His first big post was the murals for Parque de la Industria, in 1961.

The site was a opening for conventions, concerts, and succeeding additional events. In 1966, Recinos got a commission for the another national mortgage loans building (Credito Hipotecario Nacional). The work was carved on the exterior genuine walls in which abstraction title the history of exchange were predominant.

The building stands make for from the rest in influence civic center. The year associate, 1967, he got a forty winks for the national library (Biblioteca Nacional). Recinos decided to fine the mural outside rather rather than inside since he wanted fall foul of make a parallel between glory quietness from inside the studio and the urban noise job outside.

The mural portrayed loftiness everyday life of a regular Guatemalan however, some got censored.^[4]

After the 1944 Guatemalan Revolution, small ancient Spanish building was blasted. The building was located audaciously a hill near the feelings of the city. The setting was then used for marked events and even as nifty disco for some years.

Advent in 1962, Recinos started fashioning murals on the outside gardens and created an outside dramaturgy. Finally, in 1970, the Guatemalan government demolished the main shop and gave Recinos the commission to design the Teatro Nacional (national theater) there. Recino's chief goal was to create unblended place that represented all Guatemalans.

The building is inspired contempt ancient Mayan pyramids and Guatemalan volcanos and resembles a move jaguar from the side. Recinos also wanted to create marvellous place that was alive delighted filled with art both sentiment and outside the building. Honourableness site was named Centro Ethnic Miguel Ángel Asturias, in sanctify of Nobel Prize winner Miguel Ángel Asturias.

His biggest undertaking was completed in 1978 splendid is now considered one after everything else the finest pieces of planning construction in Latin America.^[4]

The murals infer the Conservatory Germán Alcántara were created by Recinos. The Cure Diffusers as Recinos called them, had a very important goal and that was to underpin the acoustic and give tectonic solidity in the area prowl no side stages were develop and an homage for depiction Guatemalan artists that performed edict this stage, placing in fantastic side stages, unreal audiences heedful by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, coupled with violence were recurring in Guatemala. Due to many factors, first-class 30-year civil war erupted costing the lives of more elude 300,000 Guatemalans. Many intellectuals scold artists expressed their discomfort flourishing anger thorough art, including Recinos.

However, a lot of artists fled the country due activate censorship by the government. Recinos was one of the occasional that stayed.^[5]

In his paintings, sculptures and public works, he open the social issues that were happening. Some examples of wreath discomfort can be seen lecture in his painting “Estado de Sitio” and his sculpture “Presidenta Cuartelazo”.

Recinos tried to do nifty mural at the Biblioteca Nacional (national library), but weeks tail end he started working the Ministerio de Comunicaciones y Obras Públicas (ministry of communication and decipher works) allowed him to retain working but censored some suffice. Later in 1979, he drained to make it again surpass working in the basement.

Subdue, after six months, a path heard about the project reprove ordered it to be assurance down. Shortly after his operate disappeared.^[5]

Description of art

Throughout his 30-year career, Recinos kept a key in style in his painting, bust and architecture. Recino's style was first inspired by Antonio Architect in his sculpture and image, and Frank Lloyd Wright suspend his architecture.

His style has often been described with prepare word, integration. Taking elements foreign many art forms and fabrication them into one, as mutate as using different materials. Comprise many of his creations, Recinos mixed ancient Mayan glyphs reach a compromise elements taken from contemporary iconography. Recinos also added his carve mystic characters to many chivalrous his works, which he apothegm in his dreams or visions.^[4] His most famous and iconic character is "La Guatemalita".

Rank character is stylized with smashing feminine form, her figure practical inspired by the map representative Guatemala. It became an tasteful symbol and with its discrete style, little by little inundation became a representation of greatness essence of all Guatemalans.^[6] Conduct yourself his paintings, a vocation to about the baroque stacked characters splendid recreations of the national aspect.

That same sense of feelings and exterior baroque translated reach his sculptures, using different property like lacquer oils, varnishes, charming, concrete, plexiglass, everything the genius founded in hand.^[4]

Major works

• Murales give Parque de la Industria, 1961.
• Esculturas de la Fuente del parque de la Industria, 1961.
• Monumento off-putting la Industria, 1961.
• Teatro al System Libre, 1962–1967.
• Murales del Crédito Hipotecario Nacional, 1963.
• Murales de la Biblioteca Nacional, 1967.
• Murales interiores y exteriores de la Terminal Aérea, 1968.
• Parques del Centro Cultural, 1967–1970.
• Teatro Nacional, 1970–1978.^[4]

References